'Weird Tales for Winter' 2011

Weird Tales for WInter 2011

It wouldn't be winter without Johhny Mugwump's 'weird tales' radio series on Resonance 104.4 FM (UK)...
 
For lovers of what's dusky and lurid - of murky & miasmal mindscapes - don't miss this year's grim & glorious offerings...

Link here

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'Love Among the Shadowed Things' now on iTunes

Poetry, sound & music for 'Weird Tales for Winter', a collective radio series curated by Jonny Mugwump for his Exotic Pylon radio show on Resonance 104.4 FM

Now on iTunes

Broadcast January 31st 2010
Total playing time 30 minutes

Other featured artists contributing to the "hauntological dream project": Moon Wiring Club West Norwood Cassette Library and Matthew de Abaitua Dolly Dolly Belbury Poly and Lawrence Norfolk Radio Joy Mordant Music John Foxx

Featuring 'Snow':

'She Owns The Night: Vanessa Daou Interviewed' on The Quietus

jonny mugwump talks to the New York based songstress about speakeasies, rave culture and the poem/song divide

"A collaboration between the New York-based Vanessa and her then husband Peter with words adapted by Vanessa from Peter's aunt, the pioneering Erica Jong, Zipless is a beautiful trove of sublime erotic electronic pop with strong elements of house and jazzy melodies. And as anybody who loves pop music knows, there can be more subversiveness in the space of a three minute adrenaline shot of pop than in vast swathes of the avant-garde. The almost surreal intimacy of Vanessa's voice and delivery (like Dali's melting watches, every vocal shape seemed to take on a slight alien quality) coupled with the intense sexuality of the lyrics and the accessibility and ingenuity of the music made for an entirely unique hybrid. Vanessa and Peter had previously released the highly innovative Head Music as The Daou, had worked with NuGroove and had had a huge club hit with a Danny Tenaglia mix of 'Surrender Yourself'. Originally released independently, Zipless led to the duo being signed to MCA and Vanessa toured with the legendary recently departed Guru and Jazzmatazz.

The follow-up album Slow to Burn saw her negotiating her way out of her own big label contract for a life on the independent margins where she could retain control. Cut to 2009, with a succession of always morphing productions exploring a weird ambient hinterland between ambient pop, jazz, soul and electronica, Vanessa returned after a hiatus, polymath-like moving into multimedia production, dance, computer coding and the release of her first self-produced album Joe Sent Me. "Joe Sent Me" was the coded phrase used to gain entry to speakeasys at the height of prohibition-era America and her latest work is both more sonically sophisticated and spacious yet also more dreamy. Each album has always had a loose kind of thematic concern but Joe Sent Me is different, creating a gently strange portal between now and then, constructing a distinctive world of its own but without sacrificing the depth of insight into what makes a heartbeat.

Perhaps it's not immediately obvious but I've always thought of your music as being quite surreal, primarily (until the current album anyway) due to your vocals. The voice is so intimately placed in the mix so that's completely inside the listener's head, and it puts me in mind of the beautiful paradox of the microphone and people like Frank Sinatra where a vocal can sit clearly on top of music that would otherwise completely obliterate it.

Vanessa Daou: When I first started singing, for me, it's this weird communication between a singer and a microphone. It's this object that is conveying your voice but the experience of being in a sound proof room singing a song, it is surreal - you're cut off from the music that's being played in your headphones and singing in to this object. Right from the offset, well, I had to work out what the relationship was with this object - the microphone - so I visualise it as an ear. I'm singing into an ear and I still carry that image with me now when I sing, never forgetting that I'm not singing out to the air but that I'm singing into somebody's ear who will be receiving my...message. This relationship, I don't know if it's a metaphysical thing that every artist goes through, but it's very profound."

Link to full interview on The Quietus

'Snow' video | part 2 of 'Love Among the Shadowed Things'

Collin Kelley on 'Love Among the Shadowed Things'

"You simply must listen to (or download) Vanessa Daou's brilliant, Love Among the Shadowed Things, recorded for the Weird Tales for Winter show curated by Jonny Mugwump on UK radio station Resonance 104.4FM. Poetry, ghostly jazz, sinister choirs, footsteps, trains clacking on tracks, a needle endlessly circling the lead-out of a record and Vanessa's unmistakable voice -- it's like the soundtrack for a film David Lynch has yet to make. Brava!"

Collin Kelley

Weird Tales for Winter: Newsletter #10

Weird Tales for Winter: Newsletter #10

"I first encountered Vanessa Daou in the strangest of situations. I had been aimless and adrift for a few years in Manchester in the north of England. In fact, I'd been forced to abandon Manchester for the vacant industrial satellite town of Bolton as I made a final attempt at finishing a bachelors in Philosophy. A shopping centre had been opened- pure chrome and harsh electric light, a giant bunker, a 'designer' fortress dropped in the abandoned heart of Salford. The launch and subsequent management of the centre had been entirely botched so that my 10 hour shifts would involve contact with only 10 customers a day (and that was on a good day). Nobody ever showed. I spent nearly 2 years in a bleakly over lit trance- you see, I have my reasons for obsessing about Ballard.

There was a music store there specialising in discounted music- the usual array of budget classics, nothing unexpected- no surprises. One day, bored to the point of dementia, I wandered off my patch to leaf through the same cod’s just for something to do and this one fortuitous time, I found a new neon-blue artefact staring back up at me. Zipless by Vanessa Daou.

I recalled seeing something favourable about it in The Wire magazine. There was one copy, it looked out of place, surely some mistake... A collaboration between New Yorkers Vanessa and her then husband Peter with words adapted by Vanessa from Peter's aunt Erica Jong, Zipless is a beautiful trove of sublime erotic electronic pop. And as anybody who loves pop music knows, there can be more subversiveness in the space of a 3 minute adrenaline shot of pop than in vast swathes of avant-garde investigation. What gave the album an edge was the sheer surreal intimacy of Vanessa's voice and delivery- like an Yves Tanguy painting, every vocal shape seemed to take on an alien quality- strange and familiar all at once.

Cut to 2010, with a succession of always morphing productions exploring a weird ambient hinterland between pop, jazz, soul and electronica, Vanessa has moved into multimedia production, dance, computer coding and released her first self-produced album Joe Sent Me, a strange riff on the speakeasy that spirals into explorations of love and loss...

Tonight's penultimate Weird Tale is a gothic tone poem from a wintry New York City- a blurring of song, poetry, sound with her trademark intensely soft intimacy. You can check Vanessa's own web hub for the Weird Tales series here.

I look forward to joining you at the witching hour..."

jonny mugwump

Weird Tales for Winter & things that go Mugwump in the night

Weird Tales for Winter

airing Jan 25 - Feb 1 2010
every night at midnight


(tones by the time attendant)

WTFW newsletter #1

WTFW newsletter #2