Thursday, September 15, 2011

Powhida on the 'production of art and a search for meaning'

I've always found William Powhida's work & words to be in line with my own aesthetic leanings: a craving for synthesis between image & text, a desire for expression of that nexus between the visual & the verbal, the use of line to delineate, outline, hint at or come to some conclusion ... Always with his unique blend of irony mixed with a healthy dose of acerbic wit, eloquently, he writes:
"The artists in Dunkle Wolke are people I consider to be friends, or at least people I've shared a drink and a discussion about art with. They are artists who also have some experience with darkness in all its forms from the purely formal to the emotional weight of loneliness. They talk about darkness as a condition of their environment, history, politics, a color, or personal relationships that often takes on the form of what Bjoern Meyer-Ebrecht describes as an 'ominous shape'. For me, the ominous shape is an expression of anxiety about the production of art and a search for meaning in an often chaotic world where historical narratives break down into reality without the authority of history and moral intention. Through the process of putting reality into a narrative, we attempt give it meaning making it a contentious site to be written and unwritten giving rise to a tension between form and language.
...

All of the works are equivocal representations of time, distance, and space with unfixed beginnings and end points that remain ominously close to darkness and the ambiguity of vision. They question our certainty about history, but they don’t give in to chaos. They are rescued by beauty, maybe even love without sentimentality, a love for process and possibility that art can provide some meaning and relief to the anxiety of living. Even I have to believe that sometimes."
- William Powhida


Beautiful & new from 'Soft Metals' + props from Bop2Bop

"We featured Soft Metals awhile back on here, and are digging the dance elements of new single, Voices. We also like the trippy vocal treatment which remind us of our favorite tripster, Vanessa Daou. The cool video is inspired, not suprisingly, by the films of Suspiria director, Dario Argento. Soft Metals are a psychedelic synthpop duo out of Portland who have recently released their debut cd. Definitely worth checking out if that is your thing."





Wednesday, September 07, 2011

Snapshots Foundations Q & A | "Future States of Music"


Snapshots Music & Arts Foundation: Mission Statement: "Our Foundation is committed to preserving the history and performances of today’s great artists. To help realize our goal of making great music timeless, we are collaborating with the Library of Congress to archive our media at its Packard Campus for Audio Visual Conservation. We are developing a true collaboration to preserve the voices of artists for generations to come. Press release." 

It was my honor to be interviewed by the Snapshots Music & Arts Foundation. As you can read above in their mision statement, their objective of presenting & preserving music through technology is a noble and critically important one.
In the Q&A, we discuss the past, present, and future states of music, and the many complex ways the media discusses, dissects and disemminates information. 



Vanessa Daou: Future States of Music

Bio: Gifted with a unique combination of poetic lyricism and a sensuous voice, singer and songwriter Vanessa Daou has defined the sound of New York's progressive jazz infused electronica and downtempo music since the early 1990's. Today Vanessa is releasing her 7th solo recording, is Music Editor at aRUDE magazine, and writes about music and the arts on her blog and website.
Q: Vanessa, you came from a period of success in music of the 1990's. How would you describe the fallout from 2000 on, and how could we have ended up in a healthier state today?

V: I think in many ways, the Music Business has lost sight of its core values. Discovering great talent used to be about the development of a noble idea: to leave a legacy of great and meaningful music, to put something out into the world that would truly resonate. Although there has always been greed as a motivation, the impetus was always to make lasting, timeless music. Where there used to be a cluster of truly visionary A&R executives who drove things creatively, the top tier music executives of today are governed by a kind of ‘herd instinct’, a ROI mentality whereby they move en masse with one purpose, toward the money.
Signing an act used to be a highly intuitive and selective process, necessitating not only skill, but those intangibles like vision and instinct. There was a nobility and elegance to the process, embracing a kind of ‘Queen Bee’ economics, where the artist was at the top of the hierarchy, treated with the ultimate respect. Ths approach "paid off" in the end, but it took time, patience and commitment.