'Frankenstorm' Sandy & Climate Change| History Does Not 'Write' Itself

Wondering if 'Frankenstorm' Sandy will generate more than hashtags and RTs, but a substantive & well informed conversation about Climate Change.

Proof, it seems, is in the numbers, and the stark truth is the previously unimaginable is now becoming the norm.A bit of graphing shows it's quite possible discussion will be limited to the billions in damage, Tumblr pics, NY Stock Exchange, Tunnels & Subways closing, and so forth.... 

 

Permalink

History does not 'write' itself, it is up to us - We must be guided by those twin forces, Science and common sense. Getting that message across is the challenge and the imperative in times like these.

Light Sweet Crude | Deep Linking: Artist's Statement

Music, poetry, song; the secret regions of the voice. The far edges of consciousness and memory,: those liminal, sublime realms reached by the Poet's phrasings and timbres, a lover's inchoate whispers. Words and melodies are all tools and instruments, salves or salvos, and, like weapons, they can be directed, aimed and launched, as a direct response or spontaneous reaction; as an invitation or instigation, through subtext or subterfuge.
 The focus of 'Light Sweet Crude' is language and the many ways it can be explored, layered, presented, subverted and delivered.

The springboard for the conceptual framework of the album was an article I read in the New York Times in 2009 which speculated on the origin of flowers. The original working title for the album was 'The First Flower'. Throughout the album, I use the manifold layers of reference for the idea of 'flower’, in part, as a metaphor for the loss of information as a consequence of the passing of time, human interference, as well as the loss of innocence.

I’ve been long-fascinated with the history of words, and explore their origins as the subtext for many of the songs. Before I write, it is often one word that drives me: this idea might then become a drawing or a painting or a poem before it becomes a song. This mixing of media says something to me about the clash or meeting between fields or layers of thought, creating alliances between things, or making them repel and pull apart. I look to language, sound, symbols - to words and their hidden and layered histories - for clues as to how ideas are changed,how messages are coded, intercepted, interpreted, and corrupted, when and which things go from trash to artifact.

The ultimate symbol of a substance intrinsically steeped in our collective history is crude oil, a substance which is both a symbol of the layering of time as well as man's corruption of its essential chemistry through a process of ‘refinement’. The term ‘Light Sweet Crude’ is an example of the power of language to fire the imagination, index time, convey nuance, dimension, hybridity, and complexity, putting emphasis on the fact that the role of Art is to capture the essence as well as the substance, the singularity of experience, to tell that part of the story that History leaves out.

LIGHT SWEET CRUDE is an exploration of the raw material of life, through the recording of all aspects of my experience, in forms that are aural, virtual, physical, metaphorical and textual: expressed through note-taking, sketches, Javascript, HTML and various computer codes: a distillation of my research and experience into the many ways the physical world is becoming less about our connection with nature and more about how we're linked through technology.  

As our lives become more virtual, the traditional tools of the artist are put on trial; does the physical object still matter? A newspaper? A book? Does the writer still feel the need to put pen to paper? Are we losing touch with our raw, tactile selves, or are we experiencing the dawn of a new paradigm of not only deep linking through technology, but deep thinking through the cross pollination of our hybrid experiences?